The Lab
Tuesday 24 August 2010.-.12 03 pm
Creating the Specials

~ Morten:

I'd say, every piece we create is special. So why do we have Special Editions?

For the uninitiated, you may think creating a new model in one of our existing watch families is just a matter of changing the colour of the dial, changing small details, then 'voilà!'...or the Brits would say 'Bob's your uncle!'

The truth is, it doesn't get easier and there is no short-cut. Not for Linde Werdelin anyway. A lot of our designs are done through hands-on development. Every piece requires a full technical study from scratch. Each goes through the same process from R&D to final tests before it hits the market.

Recently we have produced the Racing Series for our retail partner, E’Collezione, for the Singaporean customers. Consider it a fun project on the side for LW. The design was inspired by the leather pattern for a race car’s steering wheel and driving gloves, when 3-Timer was chosen for this special series to be launched in August/September. The red and yellow colours are typically seen in F1 races.  So you can see, it’s just a special project inspired by a timely event, not a LW creation for the event.

Let me show you a quick run through of the design in a short video below.

We will be doing more commissions for our partners. They are not part of our Collections and are only available through specific partners, hence Special Editions. They are fun to do as they bring in fresh inspirations from outside The Lab and create the challenge to maintain the LW DNA beyond our Collections.

Check out the 360º of the Racing Yellow and Racing Red. Enjoy!

 

Tuesday 10 August 2010.-.11 40 am
3-Timer Dark Green Dial

~ Morten:

The 3-Timer dark green dial complements our GMT series particularly after the successful launch of the brown dial version, now sold out. The idea of using different colour dials appeals to me, especially for a model like the 3-Timer the most refined watch of our collection, as I love the way the dial pattern reflects light.

The numerals on the bidirectional bezel have been coloured to match the dial though the watch has been set on a black pointed calf skin strap still keeping the overall refined look of the model. A very limited edition of 22 pieces worldwide, we are very happy the new 3-Timer has already been very well received since its launch almost two weeks ago.

On this note, I will leave you with a video we’ve done here in Copenhagen I hope you will enjoy watching… and as always I look forward to your thoughts and suggestions.

Monday 26 July 2010.-.12 22 pm
‘Click’ to Perfection

~ Morten:

Quality is always found in the detail… one can really feel - or rather hear(!) - the level of quality of a timepiece by closely listening to the clicking sound of the turning bezel.

When I first started working on the design of the 3-Timer and Oktopus it was clear to me I wanted to find the best bezel mechanisms for those models.

The 3-Timer bezel being a 24 hour bidirectional one uses a completely different mechanism to the unidirectional bezel of the Oktopus (one click per minute). For both models, the bezel isn’t simply a design feature but rather a vital part of the functionality of the watch as a whole. For the 3-Timer it is needed for reading the third time zone and for the Oktopus, to time the duration of a dive.

Under the 3-Timer bezel lies a metal mechanism comprised of a roller type of ball and a spring. When turning the bezel, the ball ensures a smooth movement as well as durability of the mechanism itself.

[Above: a cross-section of the 3 Timer case] 

For the unidirectional bezel of the Oktopus I chose the solid ratchet mechanism. Made of metal parts only, this mechanism is perfect for our diver watch series. 

Design wise, another point worth mentioning about the Linde Werdelin bezels, which you may have noticed already, is that the numeral fonts are designed in-house and exclusive to us. This is another small detail which to me adds to the whole uniqueness and allure of our watches.

So, next time you turn the bezel of your LW Oktopus or 3-Timer do take a minute to actually feel and listen to its ‘clicks’!


Related Posts:
Linde Werdelin DNA
Precision, Precision, Precision

 

Friday 16 July 2010.-.1 19 pm
Precision, Precision, Precision

~ Morten:

You may not know this, it took us 4 years in design and development before our 'watch + instrument' idea could be realised. Apart from how everything would fit inside a mechanical watch case, how the case would work with a digital instrument posed a huge challenge. Or, shall we say, a headache. Whose idea was it?!

When it almost felt like an impossible idea, we came up with a clip-on system. There may be a zillion ways to make a watch look good. But we no longer had the free rein, having to allow this system to work.

If something stands against you, you either fight it, or you work with it to your advantage. We did the latter. And it gave rise to yet another part of our DNA - the LW angular case design, distinguished with multi-facets and indentations at 3 and 9 o'clock to hold the instrument in place.

Precision is key.  There is no room for error when it comes to producing the watch case. Each facet, each angle, and each edge of a facet must be 100% where it should be. If a facet is 0.02mm too wide, an angle is deviated in the slightest, or an edge is not dead straight, an instrument won’t hold on.

You can see in the photo above how the watch fits seemlessly into the back of an instrument.

Producing straight edges with such precision in the finest material is a technical nightmare. When machining a watch case, the high temperature hardens the steel and makes it very difficult to be carved into shape. If a line is not carved properly, it won’t show on a curved surface. But you cannot hide it on a flat and edged surface.

Not to mention the polished and brushed facets of our watch cases. The facets are so small it is easy to brush or polish over the edge. It takes years to train a craftsman to have the skill to achieve such precise finish for each watch case.

We like that the polished and brushed facets make the angular case more interesting to look at. Next time you look at it, you can also appreciate the quality of craft that goes into making our watch case, which is extraordinary.


Related Posts:
Linde Werdelin DNA
Click to Perfection

Wednesday 7 July 2010.-.3 07 pm
Linde Werdelin DNA

~ Morten:

Summer is here. You and I may have different ideas as to where we want to spend our summer holidays, but we are likely to agree that time is luxury. Everytime I look at my watch, I am reminded of not just what we have created at Linde Werdelin, but also how I spend my time.

This thought process goes into our design. Many of our fundamental design elements are inspired by our lifestyle. You already know about the instruments. Another part of our DNA is a strap-changing system to allow a LW watch to be worn in any way we would like to spend our time, be it urban or sporting.

Say, you have an Oktopus, you can wear it with a rubber strap for 100% water resistance when you're diving, and you can wear it with an alligator strap for urban elegance when you're out in a wine bar. I think most of our customers understand the benefit pretty well as they often have multiple straps to suit different occasions.

Changing the straps is easy, takes 2 minutes. Coming up with a system that would work well was not. Because we had the design constraints imposed by having to carry an instrument. The outcome, however, makes our lugs as part of the case design unique to us. It also means our straps have to be specially designed. All of our straps have been given serious technical studies. They are one of the most complicated to produce on the market. Each material used for our straps has been tested for 2 years before being considered.

I do offer my desired combinations as to which models should pair with which straps. But customers' choices of pairing, which reflect their individual styles, often blow me away. Above photo is an example, courtesy of Mr. Bloore. It works when it works for you. And that's the spirit of LW.


Related Posts:
DNA Part II: Precision, Precision, Precision
Click to Perfection
Ending on a High Note

Tuesday 29 June 2010.-.1 20 pm
The Born Identity

~ Jorn:

The story has begun. It is a mystery. There are four main characters. The story title is "The Perfect Five".

Confused?

The perfect five are not people. They are five LW watches and instruments containing five perfect microchips. The mystery lies not in the characters, but "the perfect five".

It makes sense that the story revolves around our watches and instruments afterall.

Let me give you the background of the story. A glitch has occured in producing the microchips. The glitch turns out to have created five "perfect" microchips which will generate unprecedented calculating power when put together. Needless to say, we need to locate the watches and instruments.

These "perfect" pieces have been purchased, but we have only been able to identify and contact two of the customers...

To see who they are, watch this 2nd part of the trailer video, which I promised you a few weeks ago:

The characters are born, their identities revealed.

It's always nice to put faces to names. So there you have it.

It's not clear what twists and surprises we have in store for you yet. Watch out for the next episode which will be coming in Autumn. You can also join us on LWuniverse and be the first to know when it's out.


Related Posts:
Another Form of Craft - including trailer clip Part I
The Illustrative Side of LW
LW Universe Story

Tuesday 1 June 2010.-.12 36 pm
Another Form of Craft

~ Jorn:

This is our new creation - neither a watch, nor an instrument.

This is another form of craft. A hand-drawn graphic novel of the LW Universe, The Perfect Five, by two renowned French artists. Craftsmanship is something very close to our hearts. The challenge is to present craftsmanship to a digital audience. Yes, that includes you, as you are reading this either on your computer or a mobile.

We have put together a video trailer of the LW Universe graphic novel, by using the original hand-drawn illustrations, not by computer-generated images. Anyone who has used 3D graphic software should know, the creative process and the skills required are completely different to those in hand drawing.

It's been a long time coming, but we are pleased to be able to preserve the originality of the illustrations. Collaborating with artists is like working with artisan watch-makers, there's a kind of romance and integrity in it. You can't force it and you have to respect it.

Previously, I gave you the lowdown on how we started this creation here: The Illustrative Side of LW; now I can stop being a tease and just show you a clip...

 

Ok, some people may call the video clip a teaser, so technically I am still being a tease. There is a second part coming in a couple of weeks, the story then continues in the magazine version.

True to our form, we have produced a small limited run of Episode 1 in hard copies, complimentary to customers. Just a small gesture and another way to share what we do.


Related Posts:
The Born Identity - including trailer clip Part II
A Stroke of French
The Illustrative Side of LW  
LW Universe Story

Friday 7 May 2010.-.1 43 pm
Black Is The New Black

~ Morten:

We love being creative and experimental. In The Lab, we constantly play with new and interesting materials, new functional designs that will serve a purpose to the LW watch owners. In the fall of 2008, we took our first step into working with the surface material DLC. And the first Hard Black DLC Limited Edition was born [picture below]. The series was sold out instantly and the positive feedback was overwhelming.

We had been looking for a scratchproof surface treatment for our watchcases. After trying different types of coatings and treatments, we finally found the perfect formula for making our cases less prone to dents and scratches. The result was the Linde Werdelin Hard Black Elemental watch, limited to 22 pieces worldwide. Several of the owners set out to test the hard black DLC coating, and one even tested its durability in the Everest region [read his journey: here]. Based on the prior success of the first Hard Black watch, we decided to make a second edition called the Hard Black II.
The second edition of our Hard Black is based on the design of the earlier version, but with the dial design from The One. In comparison to the first version, we decided to add a more vibrant and sporty yellow Super LumiNova on the dial and the bezel. This was matched with the yellow stitching on the premium black alligator strap. I have made a video of the Hard Black II, where I compare it with the older version and a video where you get a 360 degree angle of the stealth looking watch.
Surface treatments and coatings such as DLC and PVD are an extremely detailed matter, so I will try to explain without it being too difficult to digest. The coating known as DLC (Diamond Like Carbon) has been used for several years in the motorsports-, oil drilling-, space- and weapons industry – all industries where precision, durability and performance are essential. In the watch industry, DLC serves as both an aesthetical feature of the black watch case and as a scratch proofing layer which protects the steel or titanium watchcase.

What makes the Linde Werdelin Hard Black watches so sturdy and durable is not only the black DLC coating. Before the coating, our cases are heat treated to several hundred degrees, thereby hardening the steel before coating the case with DLC. The DLC is applied in a vacuum vapour chamber where the watch case is bombarded with thousands of small carbon particles that is absorbed into the surface of the case, thus creating the very hard black coating with a thickness of only a thousandth of a millimetre, but with the hardness second only to diamond.

The Hard Black II watch is limited to 88pcs. and is ready for delivery in a few weeks. We are looking forward to hearing the feedback from many of the lucky owners who have already pre-ordered this watch… we know you have been waiting for quite a while, but we promise you, its definitely worth the wait.


Related Post:
The Rock Steady Partner
A Second Run Of Black

Friday 16 April 2010.-.2 05 pm
360 Degrees Of Bodyart And Watchmaking

~ Morten:

Once again, I have been playing around with the camera. One thing is showing beautiful pictures of a watch, but with a 360-degree video, you are able to give a view of the watch from all sides. This week I have for you a video of the Oktopus Tattoo, which was also presented as a novelty at BaselWorld.

This watch is very special to me. I must say it has been very interesting, extremely difficult, and amazingly fun to work on. With this watch, we wanted to do something out of the ordinary… something you would not expect from a luxury watch brand. My idea was to challenge the boundaries of high precision craftsmanship in watch making by combining it with the artistic skills and traditions from tattooing.

Essentially, we took the Oktopus case and tried pushing the design further… what was technically possible to do with the case engravings, and how could the artistic language of the tattoo artist be transformed into a watch design. We also changed the design of the hands, which is inspired by the tentacles of an octopus. Additionally, we added the exclusive movement cal. 1150 from Frederic Piguet. To give a more exotic look of the watch and make it stand out in a crowd, we also added orange SuperLuminova on the dial and hands.

We tested laser engraving, acid etching and stamping for the tattoos on the steel case. However, the result was not satisfying. The depth and shadows of the artistic piece did not come out the right way and the engravings were very shallow. We thereby set out to try the engravings with a 5-axis CNC milling machine, like the ones being used for complicated watch case manufacturing. By using CNC milling for the case engravings, we were able to preserve the artistic qualities of the tattoo artist’s drawings, which was very important for us. After numerous adjustments like milling speed, different milling depths in order to achieve the three dimensional effects of the tattoo, and different sizes of drills, we finally ended up with a perfect result.
In addition to the Oktopus Tattoo, we have decorated the case of our diving instrument The Reef with tattoo engravings also done by Henning Jørgensen from Royal Tattoo. An interesting drawing (as shown below) has been adapted for the color display screen of our instrument. The watch and instrument together is really an amazing set, which combines fine watch making, artistic tattooing craftsmanship and modern technology. Keep following us for more information on this instrument later on…
Friday 26 March 2010.-.11 43 am
BaselWorld: The Moment of Truth (Part II)

[...continued from Part I

~ Morten:

The curtains have come down on ten days of watch-mania in Switzerland.  This year at BaselWorld, our stand was located in The Palace, which was just the right place. The Palace simply buzzed with creativity from the small independent watch companies. In my opinion, this was where the most innovative and exciting companies were presenting their creations.

The positive feedback we received on our collections of watches and instruments was overwhelming. It was a moment of truth to see the anticipation from visitors for both the Oktopus Moonphase and Oktopus Tattoo, which were this year’s novelties.
I have made a couple of videos of the Oktopus Moonphase to share with you curious minds, and with those of you unable to visit us in Basel. In the first video, I explain my ideas behind the watch and show you how to operate the moonphase complication.

In the second video, we have done a close-up of the watch on a turntable, allowing you a 360 degree view of the Oktopus Moonphase… for all of you who just want to enjoy the watch and not listen to me talking.
Friday 19 March 2010.-.2 14 pm
BaselWorld: The Moment of Truth (Part I)

~ Morten:

We have arrived at this year’s BaselWorld. As always, we are keeping very busy with meetings with journalists, agents, retailers, and interested watch aficionados. It is our second year at BaselWorld and we can really feel the huge interest in our watches and instruments and our special LW illustration universe.

Going to Basel each year takes a lot of planning. It is not only launching new watches and instruments, but also designing a stand within many constraints, creating a catalogue that becomes a collectable, preparing market analysis and business key notes, and getting the whole LW team ready to meet inquiring minds.

I know that you have been waiting in anticipation to see the Oktopus Tattoo, which I have been sharing with you for the past six months. We have spent a lot of time on developing this watch… numerous case prototypes have been done to find just the right look of the tattoo engravings on the case.

As we decided to use the F. Piguet cal. 1150 for this watch, we also had to change the inner case, and adjust the design of the hands. Because of this, we did not receive the final prototypes until the opening day of BaselWorld two days ago… and here are pictures to show this avant-garde LW creation, which is creating a lot of talk and interest down here.

We had the Tattoo design made by famous Danish tattoo artist Henning Jensen of Royal Tattoo. We then applied this ancient tattoo style to a modern watch design by engraving the tattoo onto the Oktopus case - a process which is very complex and covers 18 different engraving steps. We also changed the design of the hands to compliment the octopus engravings of the case. Furthermore, we used a vivid red SuperLuminova on the hands and indexes, to make the watch stand out in a crowd.

Last week we gave you an in-depth review of our Oktopus Moonphase and the ideas behind this creation. This week I can show you a live picture of this beautiful piece, with the very special moonphase-indicator with countdown function.

Next week we will have some more pictures from BaselWorld and a video as well, so stay tuned. Back to the fair…

[Continue to Part II...]


Related Posts:
Oktopus Tattoo: A Quick Tour Through The Lab
Oktopus Tattoo: A Quick Tour Through The Lab (Part II)
How Body Art Meets Horology
Revealed: Body Art Meets Horology

Thursday 11 March 2010.-.1 11 pm
Oktopus Moonphase - Behind The Scenes

~ Morten:

The Oktopus Moonphase is one of our novelties for BaselWorld this year, and we are looking forward to presenting it next week. Before this happens, I want to share the ideas behind this unique creation and give you some more background information on the functionality and design.

After last year’s BaselWorld, where we introduced the Oktopus family, a Spanish watch aficionado gave us the idea to look into night diving and moonphase complications. Even though you do not see many sports and diver’s watches with moonphase complications, we actually saw this as a brilliant and practical complication for a diver’s watch. First off, tidal seasons have to do with the rotation of the earth combined with the gravitational forces of the sun and the moon. Secondly, night diving is at it’s utmost finest when the full moon is there to light up the water and seabed.

At LW it is important that both functionality and design go hand in hand and transcends everything in our creations – both watches and instruments. Therefore, for me to proceed with this idea, I needed to create a design, which would compliment the Oktopus. A design which would make the dial easily legible, and a complication which is simple and easy to operate.

Having collaborated with Mr. Svend Andersen on our SpidoLite project, we approached him again with our design and idea for the Oktopus Moonphase, and asked him to build a complication, which could work with our design; he was thrilled with our idea. Based on a simple design, we opened up the Oktopus dial, to give room for the moonphase display, in which you can read the moons waxing and waning. This allows you to read the current position of the moon and the moons to come, in a fast, easy and efficient way. Beneath the phases you have the countdown function, enabling you to read the time elapsed from the last moon or the time until the next moon.

Instead of displaying the different moon phases in relief only, I wanted to give a more realistic view of the moon. Therefore, I opted for the photorealistic moons to be printed on a luminous disc as seen below/above. This gives you a clearer picture of the current moon and, because of the luminous material, enables you to read it at night or when night diving.

For the movement, we chose an automatic Frederic Piguet cal. 1150 with a power reserve of 72 hours, onto which Svend Andersen built his moonphase complication in correlation with our design. The ingenious idea is to exchange the date wheel for a moonphase wheel, which changes the moon at midnight like a date function would change the date. This is a simple, yet precise construction for the moonphase complication. The moonphase can be adjusted manually with the use of the crown. This allows for a fast and easy way of setting the moon disc to the current moon, even if the watch has not been worn for some time and has stopped. No need to send it back to our service centre for regulation…


Related Post:
Oktopus Moonphase short video presentation

Saturday 27 February 2010.-.7 04 pm
Oktopus Tattoo: A Quick Tour Through The Lab

~ Morten:

Who is this mysterious lady? You may not know this, but our Special Project is the inspiration for her being. If you haven’t seen her from some of our brand materials, you soon will. And a story involving this lady will unfold.

Back to the special project, our Oktopus Tattoo. It is hard to believe 2 years has passed since we first discussed developing a diver’s watch and its design conception.

In a normal design process, one would use hand or computer drawings to get as close to the ideal and final design as possible before building a prototype. Anyone with the knowledge of product development would know that building commercial prototypes is a costly exercise, so you don’t want to have to build too many of them before production.

But the complexity of the tattoo patterns meant it was practically impossible to realise the case design for the Tattoo watch in sketches. We had no choice but to start using 3D modelling from a very early stage for the mock-ups to see how the 2-dimensional tattoo patterns on paper would flow well on the various facets of a 3-dimensional Oktopus watch case. We painstakingly went through numerous SLA (3D-layering) prototypes and engraved countless aluminium blocks just to develop the case design.

To create an original design, we give thoughts to everything. During the Product Development phase, all design is done in house (in The Lab!)…down to the smallest detail of the numeric font on the Oktopus dial. Every time we come up with an idea or adjust a design, we need to validate its feasibility with watch-makers and part-producers in Switzerland before we carry on further.

[Continue to Part II...]

Designing Oktopus dial
Saturday 27 February 2010.-.6 28 pm
Oktopus Tattoo: A Quick Tour Through The Lab (Part II)

[...Continued from Part I]

Housing a movement within such a small space of the watch case requires much technical study. Although it helps to use modern technology and computer design tools to simulate the possible results, a lot of fine-tuning needs to be done on the physical pieces. 

Dial Designs

For example, on the F. Piquet movement, we give 80% of the weight of the hands to the second hand as a counterweight. Just 1/10 of a gram’s difference would shift the weight and tip the balance, and the watch would not work properly. When you are producing limited editions like us, and not mass producing thousands or millions of pieces, you don’t get a standard cookie-cutting finish for all pieces of a small part. Which means, no computer can simulate the end result and we test every step by assembling physical pieces.

This is a long process to the final prototype. More often than not, I review the design constantly till the last minute to push for the best possible outcome to show you at BaselWorld.

So, we are definitely not seeing the finished designs for our novelties until BaselWorld, which is 3 weeks away, starting 18th March. But I should have more to show you here in two weeks time. 

Saturday 13 February 2010.-.5 00 pm
How Body Art Meets Horology
~ Morten:

Last year, I brought to light an exciting project in collaboration with an award-winning tattoo artist, Henning Jørgensen, to produce a special watch in the Oktopus family: Special Project Revealed.

Before we get to that, here are a few snaps and a video to show you the Oktopus DLC and Titanium taken in The Lab, as promised two weeks ago:
Oktopus Titanium Wrist Shot
The Reef and Oktopus Titanium
The Oktopus is a divers watch. Together with The Reef, it completes our diving set.

But, our creations are lifestyle pieces. The Oktopus does not have to be just a divers watch.

Here's where the special project comes in: Oktopus Tattoo.
Oktopus DLC and Titanium with The Reef

Henning Jørgensen's works of art are highly respected and admired. He is booked up for the next two years. It is exciting to have the opportunity to work with Henning, because we are bringing two very different art forms together.

It is a huge technical challenge to tranform the tattoo drawings, which we showed you here in August, into our Oktopus watch case design. Each tattoo line he drew would have to be shrunk to 1/10 of its size for our watch. We have done endless tests to find the perfect method to achieve the perfect result.

To "tattoo" the Oktopus, we need to use a needle that is so fine it would drill no more than 0.05 to 0.08mm each line. Otherwise, it would cut over another tattoo line and ruin the intricate design.

Next time, I will show you how the Oktopus Tattoo is turning out.

Related Posts:
Body Art Meets Horology
Oktopus Tattoo: A Quick Tour Through The Lab

Tattooing the Oktopus watch case
Thursday 28 January 2010.-.9 21 am
A Complete Family

~ Morten:

We participated in Geneva Time Exhibition (GTE) last week.  For the uninitiated, it was a watch fair organised for the first time for the independent brands, running alongside SIHH in Geneva.  There was a lot of interest.  Everyone who came to see us had heard of us and wanted to meet us in person to find out what we had in store for 2010.  It was a great success.

Here are a couple of images, courtesy of Hodinkee.

If you follow The Lab, you should know that I made some adjustment to the design of the Oktopus last year after BaselWorld.  So it was good to show everyone the final design in the flesh at last.  In two weeks time we will post some images of the Oktopus DLC and Titanium for you here.

Another highlight ought to be the SpidoLite.  We presented the SpidoLite SA Rose Gold, along with SA All Black and SA Titanium.  It is a complete family of the SpidoLite SA.

 

Through an interview with Hodinkee, you can see this complete family.  Oh, by the way, they are not my hands...

 

 

We welcomed a lot of guests from the press and media at GTE.  But speaking of Hodinkee, I must say it was very interesting to learn of this New York based website.  I like their website.  They target the city folks who are urban dwelling, international, and very style conscious.  They have a unique following and set themselves up to be a "trend-spotter" for the watch industry.

 

Good job that they love skiing too.  They recently took LW skiing with them and made a video.

Now that makes me want to be in the mountains!

Thursday 21 January 2010.-.3 58 pm
Another New Year, Another New Season

~ Jorn:

The New Year has got us all in high spirits. Not least because the ski season is our favourite time of the year. It was quite a bash when Linde Werdelin, Beautiful Books & SQUA.RE celebrated the launch of the Linde Werdelin 2010 Ski Guides in December. You can now see the highlights in this stylish short video: http://squa.re/LindeWerdelin

Today, we launch an online version of the Ski Guide in partnership with SQUA.RE, as well as the LW Ski Guide App for iPhone. The online platform, is aimed and designed to constantly receive users' feedback so the guide is updated throughout the ski season and until the next annual guide is out.

 

Ski Guide on SQUA.RE


So, from today onwards you are most welcome to visit it, post comments, and engage into an ongoing interaction whether you are simply researching or actually planning your trips for this winter and years to come. 

Ski Guide on SQUA.RE: http://blog.squa.re/ski-guide  

The iPhone app, on the other hand, is something out of personal needs. And I can imagine many out there will find it useful. It just makes sense to have the added-value of the iPhone in our Ski Guide providing location-based and real-time services, such as up-to-the-minute weather forecasts, snow alerts, and Geolocations. I can now carry the Ski Guide in my pocket as part of my phone.

LW Ski Guide App: http://app.LindeWerdelin.com

 


Our initial decision to produce the Ski Guide was because of our great passion for skiing. When we choose and write about the several different places to visit, stay, eat and so on, it is because we want to share our own experiences with these areas. Not because some places are better than others.

Every destination has its own soul - and something different to offer. That's why we believe that some places should be visited with friends, others with family, while some are better for certain types of skiing than others. And do keep in mind that a skiing trip doesn't have to last a week. Three or four days can easily do the trick if you have the right information for your dos and don'ts.


Our guide contains our own recommendations from decades of travelling and from our best experiences - you'll find the essential information on the top skiing destinations in different areas, restaurants for lunch and dinner, nice hotels and so on. In other terms, we've done all the research so you don't have to spend time or money on bad or disappointing choices.

In our opinions skiing is just skiing - it all depends on what you want. We do recommend that you try some different places every year, and try to spend three or four days in each place instead of a whole week. We believe five or six days a year with perfect conditions will make you feel complete when it comes to a skiing experience - and we're convinced that our Ski Guide can give you the information needed.

See you on and off piste!

Monday 7 December 2009.-.2 05 pm
Launch of The Winter Season

~ Jorn:

Morten and I are both keen skiers, as I mentioned a few weeks ago. We have been skiing in the Alps since the age of six without missing a season. Our passion for skiing was one of the inspirations behind the founding of Linde Werdelin in 2002. Over the years, we have come to know many fantastic ski routes, hotels, restaurants, and people in various resorts first-hand. We often get the question, “Where do you recommend…?” Naturally we are delighted to offer our suggestions. But when you are known to have a lot to say on a subject, you get asked all the time…

So we thought, why not put it all in a guidebook!

In 2006, we produced the first ski guide book for Switzerland. It went out through our personal and business networks.  Since then we have expanded the guide to include France and Italy. We did it all by ourselves, from writing, design, production, publishing, to packaging.  The whole process was like a pregnancy…well, at least from a man’s perspective. But it’s not something you’d take on unless you feel strongly enough about it.
Morten and I have hand-picked the places, the people you should know, and what to look out for in each resort from our best experiences.  We update and expand the guide each year, as we continue to add new finds and to provide you with the most updated information to experience superior skiing. We hope that you too will find inspirations through exploring the peaks and valleys of the Alps; you may even want to tell us if you come across a hidden gem that we have missed.

This year we are making our annual LW Ski Guide available for the first time online on SQUA.RE (launch to be announced next week) and in major bookstores and Paul Smith stores in the UK, as we know there are many out there who enjoy skiing and the mountain lifestyle as much as we do. An iPhone app will follow with interactive features. We are doing a launch party at Paul Smith's flagship store this week.  Should be fun. Now the ski guide is ready, the snow conditions are promising...

Let the ski season commence!!

 

Thursday 12 November 2009.-.3 00 pm
The Ultimate All Black

~ Morten:

The much anticipated SpidoLite SA All Black has just arrived.  It is always delightful to see a design being realised.  And in this case, I would say it was exciting.  We have taken months to perfect the original SpidoLite SA version in titanium.  It was technically not an easy design to produce, to say the least.  Adding a DLC (Diamond-Like-Carbon) coating on top of the already intricate titanium case structure to achieve the ultimate All Black look was twice the challenge.  If you are not familiar with our DLC procedure, you can refer to an old posting by clicking the DLC link above.

SpidoLite SA All Black side view

We have a reputation for being the most creative with our DLC procedure and have received amazing response from the market to our Hard DLC series.  I couldn't see why we shouldn't try to give our signature watch, SpidoLite, another Linde Werdelin twist.  The black DLC coating has accentuated the depth of the drill-out watch case, so you can get a better sense of its architecture.

 

SpidoLite SA All Black front view

I also think the black dial and the shiny components in the movement have created a very nice contrast.  The result is this stunning All Black piece with a unique vintage movement from Andersen Genève.  It has a very cool and macho look when you wear this watch.

SpidoLite SA All Black on wrist

SpidoLite SA All Black back view

Adding an electric blue to the hands was an inspiration from the one of a kind Blue Gold rotor. Our clients seem to agree with me and love that hint of blue. The SpidoLite SA All Black was unveiled last week at SalonQP, the first luxury watch event of its kind in London, to a discerning audience and received very favourable response. If you have missed the event, here's an independent report: SalonQP 2009

Wednesday 14 October 2009.-.2 31 pm
The Øresund Diving Test: Round 2

I didn't forget I owed you a video, to show you The Reef in action during one of the real-world tests. We have spent a couple of years to develop both the hardware and the software in-house. The software alone is written with hundreds of thousands of programming lines. It may sound complicated, and it is indeed technologically advanced, but the end result is the highest quality dive computer that is also one of the easiest to use on the market.  It has a very friendly user interface and a LCD colour screen, so it's easy to read even in dark and murky conditions underwater.

The numerous tests performed were no mean feat. There are many safety and security measures we put in place which you won't know as a user. We did whatever it took to get them right. The Reef employs Bühlmann 16 algorithm. If you are not a diver, that means the most reliable model to use to avoid decompression sickness and hazard. There is also a system log on each instrument to record every single step a diver makes using The Reef, allowing us to see activities and run analysis.

Here's quick video taken by one of our test divers along with some static shots:

Monday 5 October 2009.-.4 02 pm
Revealed: Body Art Meets Horology

Back in August, I mentioned a special project we were working on in collaboration with Henning Jørgensen of Royal Tattoo. What does body art have anything to do with watches?  Since things have been progressing nicely, I thought it might be time to reveal more.

Remember those tattoo drawings you saw on paper?  Here is how they are being brought to life.  You are looking at these wonderful drawings laser-engraved on a flat metal plate.  Through a magnifying glass.
Tattooing is an art form. The precision and intricacy of a body tattoo allow no room for error - it is a work of genius. There may not be an obvious link between such unique body art and Linde Werdelin watches. But I envisioned the application of this delicate work on the case bodies of our watches would make a very special run of limited edition. And the first sample we have received of this special run from the Oktopus family is proving just that!
Tuesday 29 September 2009.-.1 06 pm
The Unique Clip-On
"The Linde Werdelin watch should inspire an active lifestyle", such was the notion that Jorn and I had, when we first talked about creating a watch. These initial thoughts led to something very unique: the clip-on Instrument, for skiing or diving.
There it was, a design challenge to incorporate the advanced functionality of a ski or dive computer with a watch without comprising the form and style. My original idea was to offer a multi purpose watch without the chunky look and feel. Combining a hi-tech clip-on Instrument with a mechanical watch that looks great on the wrist, no matter if you are hanging from a mountain wall or presenting slides in the office, is indeed novel.
I have witnessed that our watch and Instrument create quite a few "wow" effects when people try them on for the first time. The sturdy feel of the Instrument being attached to the watch is quite something else. We have put thousands of hours into the Instrument to make sure it offers great and unique design as well as innovative software.
The Linde Werdelin watch and Instrument surely is unique on today's horological market. Our products are a wonderful mix of old and new: Analogue is how you read time; Digital is how you assimilate information.
Thursday 10 September 2009.-.8 24 am
An Important Case
Recently we went to pay our Danish Instrument case manufacturer a visit, in order to shoot some pictures for The Lab. The company, Anton Kjær & Søn, is located pretty close to our Danish offices, and specializes in fine micro mechanics for several aerospace and electronics companies.
We chose Anton Kjær & Søn among several alternatives as they turned out to be just what we were looking for in terms of precision.  Precision is vital for achieving the right clicking sound when attaching an Instrument to the watch. The sheer audible experience allows you to know the Instrument is securely in place. These are small details indeed, in every sense, but also what make our Instruments so great to wear and use.
As you can clearly see in the picture above, we demand perfect diamond like bevels for our Instruments, and the CNC machines used at Anton Kjær & Søn offer specific five-axel milling that meets our demands just right. When looking very closely at the finished case you will be able to see the facets meeting each other with 1/100 millimeter.
Just to make an example: we demand two tenth of a millimeter between the crystal and the case, making it a very hard procedure to anodize the cases. One small mistake means the push buttons won't offer the right flow when activated by the fingers. These are minor details, yes. But extremely important minor details to offer the perfect Linde Werdelin experience, whether you are deep below on the water bed or high among the mountain summits.
I hope these pictures offers a little insight to the efforts we go through in order to make the Instruments not only beautiful but also highly functional as well as very very sturdy.
Friday 4 September 2009.-.2 35 pm
Master of Complications
We just returned from Geneva where we visited Svend Andersen's atelier. Andersen inspected once again the blue gold rotors from our SpidoLite SA collection. He is very thorough and wanted these blue gold rotors to be perfect.
Svend Andersen is considered a Master of Complications in the horological world. We are very proud to be working with such a talented watch maker. Not to mention he shares the same passport: he´s Danish!
Andersen is the founder of AHCI (Académie des Horlogers Créateurs Indépendants). This is an organisation for the top talents in independent watch and clock making from all over the world. Meeting the requirements to be considered as a candidate member of the AHCI is no mean feat. Members well worth mentioning are Felix Baumgarten, George Daniels, Paul Gerber, Philippe Dufour, Francois-Paul Journe, among other very well-known independent watch makers.
In Geneva, we discussed two projects which we are currently working on in collaboration with Svend Andersen. These projects will be launched at BaselWorld 2010. We are very exited about them and looking forward to the grand presentation in seven months.
Thursday 13 August 2009.-.3 30 pm
Body Art Meets Horology
Just returned from a very exciting meeting today, and can't help but want to talk about it here. For the last six months we have been working closely with award winning tattoo artist, Henning Jørgensen, of Royal Tattoo in Helsingør. In collaboration with Royal Tattoo, Linde Werdelin is preparing for the next limited run of a very special watch.

More about this project will be revealed in two months. And I can promise that we will show you something VERY special, VERY unique. I am thrilled about every single watch we create, but this future attraction really makes the whole LW team smile in pure thrill and excitement.  Watch this space!

Related Posts:
How Body Art Meets Horology
Oktopus Tattoo: A Quick Tour Through The Lab

Thursday 30 July 2009.-.2 53 pm
A Golden Kind of Blue

The first lot of fully assembled SpidoLite just arrived at the Danish Linde Werdelin offices in Charlottenlund this week. It was quite thrilling to finally get a good look at the fascinating blue gold rotor that is a signature construction from fellow Dane, Mr Svend Andersen.

Mr Andersen is the man behind the movement in the SpidoLite SA and famous for not only his amazing watch making skills but also for his blue gold rotors. 

Blue gold is, above all, an alloy. A mix between pure gold and iron. Once combined, the yellow gold and grey iron create a unique metallic colour. The blue gold created in this unique process is available only in Mr Andersen's watches, including our SpidoLite SA.
The blue gold shows only in certain angles and is a fascinating detail of the SpidoLite and can be fully enjoyed through the sapphire glass back.  The images here have not been retouched.  I am pleased they have turned out well.
The Svend Andersen movement in the SpidoLite SA is an A. Schild ebauche, heavily modified by Mr Andersen himself. A. Schild is the great grand father of the highly acclaimed ETA 2892 and is among one of the most sturdy and precise mechanical movements ever produced. The vintage A Schild calibre used in the SpidoLite has long proven its strength and has a perfect track record.
The SpidoLite SA will be shipped to the rightful owners, only 44 of them worldwide, and we look forward to getting feedback from them.
Thursday 23 July 2009.-.3 00 pm
A Second Run Of Black

Today is a good day. The new Hard Black II just arrived and we are thrilled! Our first run of Hard Black was an instant success and all 22 watches were sold really fast. Due to popular demand we decided to launch a slightly different version with the updated dial, black hands and bright coloured hour markers with black trimming.

As you can see on the picture below we decided to match the stitching in the strap, adding a distinct look to the watch.

Apart from the new contrast hour markers and strap stitching, the Hard Black II features the same new dial as The One, Elemental and Two Timer. Also the case underwent a new microbille procedure prior to the black DLC treatment. This means an even tougher coating. A group of watches aficionados in Singapore recently asked about the procedure at a gathering held at the legendary Hotel Raffles (where the famous cocktail Singapore Sling originates from). The watch loving group invited our Marketing Manager (who happened to be visiting Singapore on holiday) to join their meeting. In response to their discussion I thought it´d be worth showing you how our DLC coating is done. Linde Werdelin employ a vacuum vapour deposition procedure which has proven very sturdy. Below you can see the actual DLC coating chamber.
The DLC procedure offers around one thousandth of a millimetre of carbon to create a surface up to three times harder than steel and second only to diamond in hardness. This hydrogen free diamond structure crafts the watch in such a way that it guarantees extreme durability and virtual scratch and corrosion resistance, perfect for the sporting environments. The tough Linde Werdelin DLC coating complements and reflects the rugged yet architectural nature of our watches. Of course both The Reef and The Rock, Land and Sea Instruments respectively can be attached on the Hard Black II.
Thursday 2 July 2009.-.1 33 pm
The Øresund Diving Test
Here we would like to show you unique photos from the perfect habitat of The Reef Instrument: the buttom of the ocean. We have been running several tests on The Reef in Øresund four or five times a week, using three professional divers in each test.
Øresund divides Denmark and Sweden and offers perfect testing grounds for our Instruments. We have tested if the back light, temperature, depth meter, dive timer, safety stop timer, compass dive-algorithm, oxygen-tracking etc. work as we intended these vital functions to do – and we are very pleased with the impressive results!
Next year we will see the release of The Reef, complete with the latest updated software, optimizing the usability and proving our Instruments as the ultimate equipment for the demanding user, may it be under water, on the ground or hanging from the verticals walls of a mountain.
Next week we will offer a rare look into our test ground, as we have made an underwater video in Øresund. So please stay tuned for next weeks show!
Monday 8 June 2009.-.7 07 am
Deep Freeze
To insure that our Instruments work as we intended them to do we expose these to several tough tests in different Danish and foreign labs.
These two first images were send to us from one of the labs that test our Sea Instrument, The Reef. The Reef is left in a freeze box, exposed to minus 20 degrees and just after exposed to plus forty degrees. This of course is an extreme stress test for The Reef, but the solid construction of our Instruments are made to withstand even the most extreme environments.
As you can see in the picture below, The Reef display and functions have not been harmed despite the extremely stressing tests, here showing The Reef after being exposed to minus 20 degrees.
Friday 29 May 2009.-.8 53 am
Testing the Instrument
With these pictures you can experience some of the many tests our Sea Instrument, "The Reef", have undergone. These tests were carried out in the ocean near our Copenhagen offices, Øresund, which is the ocean between Denmark and Sweden, offering depths that are excellent for Linde Werdelin field tests.
Besides being tested in its favourite habitats – that being deep waters, high mountains or steep cliffs – The Reef has also undergone vigorous computer simulated tests, and furthermore tests done by a certified test lab here in Denmark.
In one of the tank tests, The Reef was exposed to the pressure (BAR) of 115 meters. Of course working perfectly, all fully functional, and display being completely visible.
The entire vigorious testing process ensures end consumers' satisfactory experience with the unique functions of The Reef and never doubt the quality and original concept of the Linde Werdelin Sea Instrument. After all our Instrument is made to meet professional demands in even the most challenging environments.
Friday 15 May 2009.-.2 36 pm
The Water Resistant Alligator

Our talented strap supplier developed a brilliant new technique for our alligator straps. The new technique offers a water resistant surface which also protects the strap from dirt and sweat.

 

This new technique results in a longer lasting alligator strap and is a great benefit to our watches as these are meant for sport and leisure and hence exposed to a lot of wear and tear. Also the new technique keeps the strap nice and soft, contrary the consensus that a leather strap gets stiff and hard over the years.
The pictures shows one of these new straps after being kept in the water tank for 24 hours – and the result is impressive!
Tuesday 5 May 2009.-.2 51 pm
The lighter side of a case back

We had a good look at the SpidoLite case again and realized that we could actually remove a little more material in order to make the whole watch even lighter. This will be done by milling out as seen on the drawing below.

In other words this is what future SpidoLite owners should expect to see when turning their watch. Unless of course they opt for the version with the Svend Andersen movement. They will of course be looking at the wonderfully decorated movement plates and blue gold rotor. 

Friday 24 April 2009.-.11 25 am
The On Screen Diver
We finally have all the prototypes at the office.  And going through them, we realized the Oktopus needed a few adjustments. I just wanted to show you a few pictures directly from the screen. It is like architecture, working with watch design. We might as well be going through the drawings of a building. We magnify details up to 3000 times, making sure all angles and facets are perfect. On the Oktopus we want to add a few more facets, which will give the case more 'strength'. Also redesigning the bit of the case that connects to the strap. This will remove a small gap that we are not so pleased with.
Thursday 9 April 2009.-.4 46 pm
Straps and foils
Unwrapping the prototypes from Basel World back home at the offices was all fun, especially for the staff that did not have the chance to join us while there. It was nice to finally share what the journalists, retailers, agents and guests had commented on and shot pictures of from our exhibition booth in Hall 4.
I really like seeing the bright color foil in the spring sun as well as trying on all the new straps that we have had in production for quite a while. The new rubber coated leather strap for the Oktopus, the tan ostrich, the perforated strap for Spidolite etc. It is pretty hard, even for me as the designer, to stick to one strap alone, when the boxes arrive to the offices; full of great new looks and feels.
We are just going through the small changes and adjustments and will soon be able to show the updated computer renderings of the 2009 novelties, so stay tuned.
Wednesday 1 April 2009.-.12 20 pm
Basel World

Well, Basel World is almost over. Our very first attendance at the world’s largest watch show. Another two days to go until we head home, hopefully with full order books.

Our novelties were very received by dealers (new as well as old), journalists and people just visiting. The Spidolite caused quite a few flat nosed and greasy fingerprints on the outside windows and showcases in the booth. It was a pleasure to experience the thrill and positive attitude towards the fruits of our labour. It is motivating and rewarding to attend a show of this enormous size, being a tiny watch brand and still feel respected.
Spidolite with Svend Andersen movement was a huge success.
The next many weeks will be busy, calling new dealers, checking all the prototypes looking for small changes and just trying to swallow the impressions after a show like Basel World.
Tuesday 24 March 2009.-.8 53 pm
The Linde Werdelin inhouse production
It is so close...Basel World. And one day before it all begins, I just wanted to show you a few pictures from our 'assembly room'. This is where we test the software, assembly the Instruments, check all batteries, cases etc. It takes a lot of work to make sure the Instruments meet our demands.
All in all we feel pretty well prepared for the next coming six days. If you are in Basel during the watch fair, then pls. do pay us a visit!
Wednesday 18 March 2009.-.4 27 pm
Pre Basel Nerves
Basel World is just 'round the corner and I am really exited! This is the first time Linde Werdelin is attending Basel World. Last year (2008) we booked a hotel suite in Geneva during SIHH and had journalists and potential dealers visit us there. But so much has happend since last year! We are introducing 18 new looks this year, not only the Spidolite...but...hehe...won't spoil the fun if I showed you everything here.
Prototype dial.
The only "old" stuff we are showing is the charger for the Instruments and the temperature sensor. Everything else is updatings and brand new stuff! The prototypes will arrive just in time for the opening day of Basel World (next week, March 26th) and I am very anxious to see these. Jorn and I feel that the original ideas and designs that were merely concepts and drawings six years ago are finally being created. These are indeed exciting times!
My color markers.
From my desk.
A watch needs to be a very conservative product. You have to look at it everyday, wear it for most of the outfits in your closet. Whereas everything changes with our Instrument on top. Putting that on top of our watch instantly takes us somewhere else. All of a sudden work becomes play. Any holiday is an entertaining part of life and our Instrument belongs to these good times, wether it is skiing, climbing the mountains, diving.